Mario Tronti: Towards a Critique of Political democracy

Democracy has problems with freedom. if it is true that real democracy is configured as liberal-democracy and that in the end this has been the winning solution, it is precisely  this  conjunction,  binding  together freedom  (or  liberty)  and  democracy,  that must be critically attacked. It is a matter of detaching and juxtaposing the two terms—freedom versus democracy—because democracy is identity to the same extent that freedom is difference. The problem of democracy must then be confronted on two sides: a deconstructive  critique  of  democracy  must  be  accompanied  by  a  constructive  theory, what I would call a foundational or re-foundational theory of freedom, of the concept and  practice  of  freedom. As  we  elaborate  the  figure  of  the  subject,  we  should  keep in  mind  that  the  subject  needs  to  retrace  the  form  of  freedom.  Because  it  is  precisely difference  that  is  the  foundational  element  of  freedom  and  the  dislocating  element  of democracy.


A reflection for our times …

(Source: Cosmos and History: The Journal of Natural and Social Philosophy, vol. 5, no. 1, 2009)


A  word  of  warning:  my  argument  will  involve  a  deconstruction  of  the  theme  of democracy. I will seek to clear the field of the conceptual debris that has accumulated around the idea and practice of democracy, so that our discussion can then take up—in a more constructive and also more programmatic manner—the identification of further directions of inquiry, especially in what concerns that crucial passage represented by the construction of the subject.

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Luca Salza: Philosophy on a boat

“The history of philosophy is buried in Gaza, but philosophy lives on in the gesture of the Global Sumud Flotilla.”

In this article, historian and philosopher Luca Salza[1] reflects on what he sees as the political, philosophical and strategic significance of the Gaza flotilla: “What did they betray? They betrayed the reality imposed by those in power: the economy above all else, even at the cost of genocide (…), democracy as the unsurpassable form of government, endemic racism in the West, the beauty and righteousness of war for domination, and all the other simulacra on which politics and the way of life in the global North are based.”

From lundimatin #497, 17/11/2025


I just want the world to see what I see.

Fatma Hassouna

Nothing happened.
Nothing.
In Gaza, nothing happened.
Nothing.
Palestinian men and women can return to their homes. Their children are going back to school. Shopkeepers are reopening their shops, farmers are returning to work the land. The olive harvest will soon begin.

The storms of steel, the blocking of food aid, the shooting of starving crowds, terrorist incursions into hospitals and classrooms, the targeted assassinations of poets and journalists, the destruction of universities, and the devastation of the few remaining arable fields did not happen: these events evaporated.

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How Everyday Organizing Stopped Trump’s Bay Area ICE Surge

Protesters and police square off near the U.S. Immigration and Customs Enforcement building in downtown San Francisco on Sunday, June 8, 2025. Chris Partin/For SFGATE

In this article a member of Black Rose/Rosa Negra’s California Bay Area Local reflects on the organizing that made recent mobilizations to oppose a “surge” of federal agents in their region both possible and successful. (06/11/2025)

Juan Verala Luz

Between October 22nd and 26th, the Bay Area successfully stood down a planned incursion of Immigration and Customs Enforcement (ICE) officers and operations. While an official narrative has emerged that backroom maneuvering by local tech capital reversed plans for the “surge,” this version of events leaves out how Bay Area residents mobilized forcefully en masse to protect one another. Far from a spontaneous response to an immediate crisis, political and social movement organizations had been diligently preparing for this moment since Trump’s 2024 electoral victory.

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Raúl Zibechi: Gaza is Rio de Janeiro. Gaza is the whole world

From Redes Libertarias (07/11/2025)


There are no words to describe the horror we feel at the massacre of more than 130 poor black youths killed by the Rio de Janeiro police, under the pretext of attacking drug trafficking.

It was an urban warfare operation in which the state government mobilised 2,500 military police armed for war, in addition to deploying armoured vehicles and helicopters to attack the Penha and Alemão favela complexes in the northern part of the city, an area with a high concentration of poor people. These are two favela complexes with more than 150,000 inhabitants and an extremely high population density.

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For Paolo Virno (1952-2025)

Héctor Pávon: For you, what is the meaning of the word revolution today?

Paolo Virno: Perhaps we could do without the word revolution because this model was that of taking power and constructing a new State. It may be better to speak of exodus. I think that the model of exodus is a rich one. Exodus means, more than taking power or subduing it, exiting. Exiting means constituting a distinct context, new experiences of non-representative democracy, new modes of production. It offers a third possibility, and I am not speaking – please! – of the “Third way” but rather of a politics of the extinction of the State being positively constructive, opposing the word republic to the word State. This means constructing a nonstatal republic with a movement that emerges more from exodus and positive experiments than from revolutions in the classical sense. The latter were an intelligent activity for many generations, but lead to the idea of constructing a new State. The point is no longer a monopoly over decision, which is to say multitude: many, plurality.


In memory of Paolo Virno, we share a 2004 interview with him by Héctor Pavón.

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For Peter Watkins (1935-2025)

History is the object of a construction whose place is formed not in homogenous and empty time, but in that which is fulfilled by the here-and-now [Jetztzeit]. For Robespierre, Roman antiquity was a past charged with the here-and-now, which he exploded out of the continuum of history. The French revolution thought of itself as a latter day Rome. It cited ancient Rome exactly the way fashion cites a past costume. Fashion has an eye for what is up-to-date, wherever it moves in the jungle [Dickicht: maze, thicket] of what was. It is the tiger’s leap into that which has gone before. Only it takes place in an arena in which the ruling classes are in control.

Walter Benjamin, On the Concept of History

The ones who can call themselves contemporary are only those who do not allow themselves to be blinded by the lights of the century and so manage to get a glimpse of the shadows in those lights, of their intimate obscurity. Having said this much, we have nevertheless still not addressed our question. Why should we be at all interested in perceiving the obscurity that emanates from the epoch? Is darkness not precisely an anonymous experience that is by definition impenetrable, something that is not directed at us and thus cannot concern us? On the contrary, the contemporary is the person who perceives the darkness of his time as something that concerns him, as something that never ceases to engage him. Darkness is something that – more than any light – turns directly and singularly toward him. The contemporary is the one whose eyes are struck by the beam of darkness that comes from his own time.

Giorgio Agamben, What Is The Contemporary?

Making a film is a social act, a political act, a human act of work, love and communication.

Peter Watkins


Peter Watkins’ recent death (30/10/2025) was the occasion to recall how much his films conveyed a radical sense of history, and in their very “artificiality”, a portrait of anarchic creativity.

Our debt to Watkins is considerable and we remember him here – as we have done in the past – with an essay by the historian David Armitage and a selection of his films and interviews.

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Claiming Freedom in Revolution and in War: an Introduction to the Anarchist Group in Sudan

From Black Rose/Rosa Negra Anarchist Federation (30/10/2025)


In 2024, Black Rose/Rosa Negra’s International Relations Committee began working closely with anarchist revolutionaries in Sudan. This relationship has involved the exchange of ideas, practical advice, and support.

Earlier in 2025, Black Rose/Rosa Negra organized a campaign to raise $20,000 USD on behalf of our Sudanese comrades, which they have since used to purchase a printing press.

In this article, developed in consultation with our Sudanese comrades, we provide a written account of how the organization now known as the Anarchist Group in Sudan (AGS)
 came into being.

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Giorgio Agamben: War is peace

Third of May 1808 (1814), by Francisco de Goya

Among the horrors of war that are often forgotten is its survival in peacetime through industrial transformations. It is well known – but forgotten – that the barbed wire with which many still fence their fields and properties comes from the trenches of the First World War and is stained with the blood of countless dead soldiers; it is well known – but forgotten – that the inflatable boats that fill our beaches were invented for the Normandy landings during the Second World War; it is well known – but forgotten – that the herbicides used in agriculture are derived from those used by the Americans to deforest Vietnam; and, as a final and worst consequence, nuclear power plants with their indestructible waste are the “peaceful” transformation of atomic bombs. And it is worth remembering, as Simone Weil understood, that external war is always also a civil war, that foreign policy is, in reality, domestic policy. Reversing Clausewitz’s formula, today politics is nothing more than the continuation of war by other means.

Quodlibet, October 23, 2025

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Pier Paolo Pasolini: Poetry

Richard Avedon | Pier Paolo Pasolini, 1966, BLACKOUT ((poetry & politics))

Job Request

Poetry made to order is a device.
The device maker can produce many
(only tiring himself out from the manual labor).
The subject can, at times, be ironic:
the device always is.
Gone are the days when I, a voracious economizer,
would spend everything, investing my money (a lot of it,
since semen was my currency, and I always had an erection)
buying up greatly undervalued sectors
that would turn a profit some two or three centuries hence.
I was Ptolemaic (being just a kid)
and counted eternity, you guessed it, in centuries.
I considered the earth the center of the universe,
and poetry the center of the world.
This was all very fine and logical.
Besides, what reason did I have not to believe
that everyone was not like me?
Then, in fact, they all proved to be better than me,
and I turned out to belong to an inferior race.
I returned the compliment
and realized I no longer wanted to write poetry. Now, however,
now that the vocation is gone
—but not life, not life—
now that inspiration, when it comes, does not yield any verse—
please, I want you all to know that I’m here, ready
to provide poetry made to order: devices.*

*Even explosive one. (Author’s footnote.)

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Remembering Pier Paolo Pasolini

On the anniversary of Pier Paolo Pasolini’s murder, we share (in English and Italian) one of his most cited and debated pieces of journalism, “Is this a Military Coup D’Etat? I Know…”, published in Italy’s “Corriere della Sera” on the 14th November 1974.

And its sibylline character renders the article contemporary, in its comments on the role of the intellectual, on the limits of contesting power with and through power, on the violence and “fascist” nature of the modern state.

Pasolini died just under a year later, on the 2nd November 1975. The mystery as to the motives behind his murder, and those involved, have never been fully explained. (The Fiend, 04/12/2010)

The translation that we share below, followed by the original Italian text, was by Giovanni Tiso, published with Overland Magazine (28/03/2012).

For more by/on Pasolini, click here.

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