Giorgio Agamben: Where are the just?

Jusepe de Ribera lo Spagnoletto, Saint James the Greater, 1631

Who are the just? What does it mean to be just? Certainly, it is not a quality of a subject, an attribute of this or that man, this or that woman. Justice—Benjamin wrote—is a state of the world, a dimension of being, not of will or intention. Things are just, Spinoza said, when you see them not in a certain time or place, but when you see them in God. That is why justice is something you can never possess, but only contemplate. And yet, when you see things as they are in God, the flower of that flower, the smile of that smile, the innocence of that innocent being, then you feel a demand from which you cannot escape, a demand that neither asks nor commands anything, but acts within you beyond all will or intention—it simply is, and there is nothing more to be done. I will never forget the words of a young woman who was part of a resistance organisation in a country occupied by the Nazis. She had been arrested and tortured, and she had not spoken. When she was released, her comrades wanted to celebrate her like a heroine, telling her that if she had managed to endure the torture it was because of the strength of her political convictions, her loyalty to the cause, and similar nonsense. But she shook her head and said only: no, I did it because I liked it, on a whim. She had seen justice, she had felt a demand that overwhelmed her on all sides, but she had not thought for a single instant about being just, about justice possibly belonging to her. If she had only believed in the just cause, but had not seen justice, she would have succumbed to the torture, she would have spoken.

That is why, according to Hebrew tradition, the righteous, the tzadikim, are hidden in the world, hidden above all from themselves. And that is why there is something paradoxical about wanting to reward the righteous, as if it were the other side of that justice which consists of punishing the guilty. Just as punishment can never originate from justice, but only from law, neither do reward and recognition belong to justice. The righteous person recognised and rewarded, the tzadik no longer hidden, is no longer righteous.

The mystery of law, that is, the mystery of guilt and punishment, should not be confused with the mystery of justice. Therefore, it is perhaps good that the guilty be punished, but it is not equally certain that the righteous should be rewarded. They go through the world unrecognized until the end of time, and only in this way, says the legend, do they save the world.

Quodlibet, July 3, 2026

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Herbert Read: The philosophy of anarchism (1940)

Ts’ui Chii said to Lao Tzu, “You say there must be no government. But it there is no government, how are men’s hearts to be improved?” “The last thing you should do,” said Lao Tzu, “is to tamper with men’s hearts. The heart of man is like a spring; if you press it down, it only springs up the higher…. It can be hot as the fiercest fire; cold as the hardest ice. So swift is it that in the space of a nod it can go twice to the end of the world and back again. In repose, it is quiet as the bed at a pool; in action, mysterious as Heaven. A wild steed that cannot be tethered — such is the heart of man.”

Chuang Tzu (Trans. Waley).

Liberty, morality, and the human dignity of man consist precisely in this, that he does good, not because it is commanded, but because he conceives it, wills it, and loves it.

Bakunin.

A perfect society is that which excludes all private property. Such was the primitive well being which was overturned by the sin of our first fathers.

St. Basil.

If beans and millet were as plentiful as fire and water, such a thing as a bad man would not exist among the people.

Mencius.

The characteristic political attitude of today is not one of positive belief, but of despair. Nobody seriously believes in the social philosophies of the immediate past. There are a few people, but a diminishing number, who still believe that Marxism, as an economic system, offer a a coherent alternative to capitalism, and socialism has, indeed, triumphed in one country. But it has not changed the servile nature of human bondage. Man is everywhere still in chains. The motive of his activity remains economic, and this economic motive inevitably leads to the social inequalities from which he had hoped to escape. In face of this double failure, of capitalism and of socialism, the desperation of the masses has taken shape as fascism — a revolutionary but wholly negative movement which aims at establishing a selfish organization of power within the general chaos. In this political wilderness most people are lost, and if they do not give way to despair, they resort to a private world of prayer. But others persist in believing that a new world could be built if only we would abandon the economic concepts upon which both socialism and capitalism are based. To realize that new world we must prefer the values of freedom and equality above all other values — above personal wealth, technical power and nationalism. In the past this view has been held by the world’s greatest seers, but their followers have been a numerically insignificant minority, especially in the political sphere, where their doctrine has been called anarchism. It may be a tactical mistake to try and restate the eternal truth under a name which is ambiguous — for what is “without ruler,” the literal meaning of the word, is not necessarily “without order,” the meaning often loosely ascribed to it. The sense of historical continuity, and a feeling for philosophical rectitude cannot, however, be compromised. Any vague or romantic associations which the word has acquired are incidental. The doctrine itself remains absolute and pure. There are thousands, if not millions, of people who instinctively hold these ideas, and who would accept the doctrine if it were made clear to them. A doctrine must be recognized by a common name. I know of no better name than Anarchism. In this essay I shall attempt to restate the fundamental principles of the political philosophy denoted by this name.

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Giorgio Agamben: Men and women, and tourists

Martin Parr, Italy, Tower of Pisa, 1990

The word tourist first appeared in Italian in 1837 (tourism only in 1907). The etymology is clear: the tour (the Grand Tour) was the educational journey undertaken by European aristocrats and intellectuals from the 18th century onward, especially in Italy, to learn about its art history, way of life, and culture. As is often the case, what was initially the domain of an elite has, over time, transformed into a mass phenomenon.

It is significant that its antecedent is certainly the pilgrimages that believers undertook to visit the sacred sites of their religion: tourists, like pilgrims, are also peregrini, that is, according to the meaning of the Latin term, strangers on earth. Tourism is the sign of an epochal shift in the relationship between people and the land they inhabit: wherever they are, they are strangers, outsiders (extra), above all in the very city where they live. I vividly recall the astonishment I felt, many years ago, when I lived in Venice, upon realising that it was no longer possible to distinguish Venetians from tourists.

However, it is not only the bond between citizens and their city that has changed: the city itself has also been transformed. People have become tourists, that is, strangers, to the same extent that the land they inhabit (or rather, once inhabited) is now foreign and a land of pilgrimage. If one reads, as I have recently, Joseph Roth’s extraordinary description of Marseille in the autumn of 1925, with its dense, adventurous alleyways, where within a few square kilometers all eras of history thronged alive and no one was a stranger, it is difficult to escape the bitter, implacable realisation that cities today no longer exist: tourism has been able to destroy them because they had already ceased to be alive. Overtourism doesn’t come from outside; it began within us, within the neighborhoods and familiar communities we are no longer able to inhabit. To inhabit is an intensive form of the verb “to have” (habeo) and signifies a certain way of dwelling and living, of having habits and customs. And if ethos in Greek designates the habitual dwelling, then dwelling is the primordial form of ethics. Having become tourists, having lost the capacity to inhabit, being everywhere pilgrims and strangers, compels us to reimagine a possible ethics, to reinvent from top to bottom the capacity to inhabit. Certainly not an easy task, but one that perhaps offers us the only way out of tourism, to make our land and our cities habitable again.


Quodlibet, July 1, 2026

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Is Fascism Winning in France? Interview with Ugo Palheta

From the Verso Books Blog (25/06/2026)


Following his book Why Fascism Is on the Rise in France: From Macron to Le Pen, Ugo Palheta sits down with Rob Grams to discuss the societal conditions of fascism, the role of neoliberalism in the rise of the far-right and what to do about it.


In this interview first published on Frustration, Ugo Palheta and author Rob Grams discuss Palheta’s definition of fascism, the process of fascisation underway in France and the tactics of the Rassemblement National. 

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What is fascism?

RG: How do you define fascism?

UP: It’s a difficult question that has drawn a lot of different responses by historians, especially around a rather specific debate that is always interesting to revisit: was there a French fascism? Was the Vichy regime fascist? Many French historians have long stuck to a rather strange theory, sometimes referred to as ‘French immunity’, claiming that there was a ‘French allergy’ to fascism, and France was somehow protected from fascism by its republican values and institutions. Today, this is obviously not all that convincing, given the extensive work of foreign historians on Vichy, on the far-right leagues of the 1930s, and on the very origins of fascism. For instance, Zeev Sternhell studied pre-fascism and the fascist intellectual synthesis, which he shows to have originated in France at the end of the nineteenth century.

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The utopian dimension

Paul Signac. Au temps d’harmonie: L’Âge d’or n’est pas dans le passé, il est dans l’avenir (reprise)
[In the Time of Harmony: The Golden Age Has Not Passed, It Is Still to Come (Reprise)], 1896

Miquel Amorós

Redes Libertárias, nº 5, Spring 2026/online 23/06/2026

It is often said that Anarchists live in a world of dreams to come, and do not see the things which happen today. We do see them only too well, and in their true colours, and that is what makes us carry the hatchet into the forest of prejudice that besets us.

Peter Kropotkin, Anarchism: its philosophy and ideal (1898)

1. The Dream of a Harmonious Society

Utopia is a specific way of imagining social activity that is opposed to the prevailing reality and, therefore, radically critical. It is not merely a happy vision of a blissful way of life presented as an ideal. Utopian, said Herbert Marcuse, “is everything that the power of the dominant societies forbids from coming to light.” Karl Mannheim, in his influential work Ideology and Utopia, considered utopian any thought that questioned the established order and incited revolt. Thus, only “those orientations transcending reality will be referred to by us as Utopian which, when they pass over into conduct, tend to shatter, either partially or wholly, the order of things prevailing at the time.” Utopias manifest the aspirations, ideals, and value systems of great social movements; they are, therefore, coherent and structured global visions of the world, and they represent the profound needs of an era. From 1750 onward, with the publication of The Year 2440: A Dream if Ever There was One by the quarrelsome Enlightenment thinker Louis Sébastien Mercier, utopias ceased to be non-places, impossible imaginaries, since they did occur, only in centuries to come. In this sense, we prefer to speak of an ideal, or simply an “idea,” as the Spanish anarchists did. We would add that when the subjective and objective conditions for the realisation of a free society are not favourable, when the material and intellectual forces capable of achieving profound social change are not present in sufficient magnitude, when no credible revolutionary project is immediately achievable, the radical negation of the existing order acquires utopian connotations. The utopian or romantic dimension of critical thought—the aforementioned ideal, anarchy—saves rebels from defeatism, transferring the desire for a life without constraints to the realm of imagination and dreams, awaiting the opportune moment for its realization. The utopian climate liberates from demotivation, since it maintains the yearning for a perfect society and sets in motion the will for change. In the libertarian case, more than in any other, utopia is nothing more than a propaganda tool to showcase expectations of future emancipation with which to mobilise the suffering masses. Far from being an escape from history into fantasy, “it is the truth of tomorrow,” in the words of Victor Hugo, something within reach, pure anticipation. The libertarian utopia, in its eagerness to demonstrate the capacity of men and women today to live rationally in community, without laws or regulations, without bosses or property, is part of the social struggle: it reflects the egalitarian and fraternal aspirations of the most radical factions of the oppressed classes. As an achievable ideal, it is a program.

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They broke his hands to silence his guitar

A furious sixteen-minute documentary responding to the coup in Chile remains a defining work of anti-fascist cinema

Bleart Thaçi, Freedom News, (04/06/2026)

Three months after the Chilean military coup of 11 September 1973, while the smoke of La Moneda still lingered in public memory and thousands of Chileans remained imprisoned, tortured, or disappeared, Cuban filmmaker Santiago Álvarez released The Tiger Leaps and Kills, But It Will Die… It Will Die…, a furious sixteen-minute documentary that remains one of cinema’s earliest responses to the overthrow of Salvador Allende. The film was among the first works to confront the new dictatorship and to draw explicit parallels between Augusto Pinochet’s regime and twentieth-century fascism. More than a chronicle of political events, however, it serves as an obituary for the murdered singer Víctor Jara, whose voice, image and music form the emotional core of the film.

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Emma Goldman: An anarchist reading of the american revolution

A New Declaration of Independence (1909)

When, in the course of human development, existing institutions prove inadequate to the needs of man, when they serve merely to enslave, rob, and oppress mankind, the people have the eternal right to rebel against, and overthrow, these institutions.

The mere fact that these forces — inimical to life, liberty, and the pursuit of happiness — are legalized by statute laws, sanctified by divine rights, and enforced by political power, in no way justifies their continued existence.

We hold these truths to be self-evident: that all human beings, irrespective of race, color, or sex, are born with the equal right to share at the table of life; that to secure this right, there must be established among men economic, social, and political freedom; we hold further that government exists but to maintain special privilege and property rights; that it coerces man into submission and therefore robs him of dignity, self-respect, and life.

The history of the American kings of capital and authority is the history of repeated crimes, injustice, oppression, outrage, and abuse, all aiming at the suppression of individual liberties and the exploitation of the people. A vast country, rich enough to supply all her children with all possible comforts, and insure well-being to all, is in the hands of a few, while the nameless millions are at the mercy of ruthless wealth gatherers, unscrupulous lawmakers, and corrupt politicians. Sturdy sons of America are forced to tramp the country in a fruitless search for bread, and many of her daughters are driven into the street, while thousands of tender children are daily sacrificed on the altar of Mammon. The reign of these kings is holding mankind in slavery, perpetuating poverty and disease, maintaining crime and corruption; it is fettering the spirit of liberty, throttling the voice of justice, and degrading and oppressing humanity. It is engaged in continual war and slaughter, devastating the country and destroying the best and finest qualities of man; it nurtures superstition and ignorance, sows prejudice and strife, and turns the human family into a camp of Ishmaelites.

We, therefore, the liberty-loving men and women, realizing the great injustice and brutality of this state of affairs, earnestly and boldly do hereby declare, That each and every individual is and ought to be free to own himself and to enjoy the full fruit of his labor; that man is absolved from all allegiance to the kings of authority and capital; that he has, by the very fact of his being, free access to the land and all means of production, and entire liberty of disposing of the fruits of his efforts; that each and every individual has the unquestionable and unabridgable right of free and voluntary association with other equally sovereign individuals for economic, political, social, and all other purposes, and that to achieve this end man must emancipate himself from the sacredness of property, the respect for man-made law, the fear of the Church, the cowardice of public opinion, the stupid arrogance of national, racial, religious, and sex superiority, and from the narrow puritanical conception of human life. And for the support of this Declaration, and with a firm reliance on the harmonious blending of man’s social and individual tendencies, the lovers of liberty joyfully consecrate their uncompromising devotion, their energy and intelligence, their solidarity and their lives.

This ‘Declaration’ was written at the request of a certain newspaper, which subsequently refused to publish it, though the article was already in composition.


Source: The Anarchist Library

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Voltairine De Cleyre: An anarchist reading of the american revolution

Anarchism and American Traditions (1909)

American traditions, begotten of religious rebellion, small self-sustaining communities, isolated conditions, and hard pioneer life, grew during the colonization period of one hundred and seventy years from the settling of Jamestown to the outburst of the Revolution. This was in fact the great constitution-making epoch, the period of charters guaranteeing more or less of liberty, the general tendency of which is well described by Wm. Penn in speaking of the charter for Pennsylvania: “I want to put it out of my power, or that of my successors, to do mischief.”

The revolution is the sudden and unified consciousness of these traditions, their loud assertion, the blow dealt by their indomitable will against the counter force of tyranny, which has never entirely recovered from the blow, but which from then till now has gone on remolding and regrappling the instruments of governmental power, that the Revolution sought to shape and hold as defenses of liberty.

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The new Palmer Raids

How Trump’s war on dissent borrows from America’s darkest playbook

Joel Sucher,

Freedom News (29/06/2026)

History doesn’t repeat itself, but it rhymes – and right now, the rhyme scheme is terrifyingly familiar.

In the winter of 1919-1920, Attorney General A. Mitchell Palmer, a man with presidential ambitions and a penchant for political theatre disguised as law enforcement dispatched federal agents across the country. Raids targeting anarchists, labour organisers, and immigrant radicals. Thousands were arrested, hundreds deported, civil liberties were shredded, and the constitutional right to dissent was effectively criminalised under the banner of national security.

Palmer called it fighting Bolshevism. A century later, the architecture is different but the blueprint is the same.

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Mikhail Bakunin: A vital, overflowing life

From Freedom News (01/7/2026)


Marking 150 years since the death of the great revolutionary, whose vision of anarchism remains more relevant than ever

Nikolay Gerasimov

The political and cultural birth of Russian anarchism occurred at the turn of the 20th century, when Kropotkin and his associates began publishing theoretical works in Russian in exile. It was then, decades after his death (150 years ago today), that the legacy of Mikhail Bakunin began to be actively reinterpreted. His works were suddenly discovered to contain philosophical irrationalism, mysticism, and a theomachist pathos. As a result, a huge diversity of currents emerged within Russian anarchism, something not seen in Europe or the United States: mystical anarchism, anarcho-biocosmism, and Christian anarchism, which combined Bakunin’s radicalism with Tolstoy’s critique of the state and civilisation.

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