Morocco in the winter of discontent

All your life is a long chain of fears – fears which bruise your body and lacerate your soul.  On those fears is based the authority of God, of the church, of parents, of capitalist and ruler.

                                                                                                     Alexander Berkman

The "Arab Spring" (which was never fully Arab, and as far as the season was concerned, of spring there was little) has dissolved into a complex of political realities; testimony to the very superficiality with which the events that carried this name were treated.  Morocco's passage through the season was peaceful, reformist reason having won out against the voices of rebellion, or so the reigning regime and subservient media would have one believe.  But the mechanisms of control remain untouched and the underlying relations of domination continue unrestrained.

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Un desalojo, otra okupación

Colin Ward, writing of the post WWII british squatters movement, he came to identify four phases in squatting understood as a form of direct action to the housing problem in non-revolutionary situations.  There is first the initiative, the action that begins the occupations.  Secondly, he spoke of consolidation, “when the movement spreads sufficiently to constitute a real threat to property rights and becomes big enough to avoid being simply snuffed out by the authorities”.  The third phase is that of success, when the authorities concede defeat.  And lastly, follows official action, when the state is obliged to respond to popular demands while simultaneously protecting private property.  (Colin Ward, “The People Act: The Postwar Squatters’ Movement)

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Casablanca …

We do not want to take power, but rather destroy it.  Destroy the monopoly of the use of force by the State, destroy the relations of domination and control over the territory.  Destroy the possibility of accumulating private property, alienation, atomisation, the “I”; towards the construction of a “we” in a collective society.

These words are from a communique of the Okupied Anarchist Social Centre Casablanca in Madrid soon after the taking of the building that housed the CSOA collective, in 2010.  The words testify to the politics of Casablanca, its hopes, ambitions, but above all, what it lived over the course of these last two years.  For anyone familiar with it and other Okupations, they will know how important they are for the city’s social movements.  Casablanca, beyond the activities initiated by those who participate in the squat’s collective, is also home to numerous other groups and activities, and has been terribly important as a space for gatherings, meetings, workshops, lectures and the like, for those involved in 15M.  The Sol library  and a great deal of documentation from 15M is archived there.

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The Dream of a Revolution: “Bom Povo Português” of Rui Simões

In the echo of protests in Portugal this last weekend (15/09), memories and possibilities from the past reappear, take on physical form, masks to reassume and modify for a utopian politics of the present.  The testimony/intervention of Robert Kramer with Scenes from the class struggle in Portugal in the events inaugurated by the 25th of April find their complement in the extraordinary work of Rui Simões, Bom Povo Português (released 1981, but filmed between April 25, 1974 and November 25, 1975)).  Unfortunately, the film is only available in its original language, without subtitles.  But even aesthetically, it merits viewing, for it is very often strikingly beautiful.

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Fuck the Troika! We want our lives

A million people took the streest and squares of Portugal’s cities yesterday in a display of indignation against continuing policies of mass layoffs, salary and pension reductions, tax increases, cuts to public services and the like, all to satisfy the private debts of a few as dictated by the Troika (IMF, BCE, European Commission), leaving in its wake misery and an even greater public debt.

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The art of revolution/Revolutionary art: Robert Kramer and the portuguese revolution

Robert Kramer's Scenes from the Class Struggles in Portugal (1977) remains an extraordinarily powerful film.  Committed ideologically to the revolutionary process unleashed by the coup d'état on April 25th, 1974, Kramer rejects any pretensions to neutrality.  The film is not a chronicle. It sought above all to intervene in the revolution.  Combining newsreel and original footage, still photographs, interviews and narration, the film, today perhaps more than ever, recalls the radical moments of the portuguese revolution and its' principal protagonists, namely the people.  Cinematographically powerful, the film also invites the question: what is revolutionary cinema?

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Occupy: One Year On

The distinguishing factor between an action and a revolutionary action is its intention.  So, more important than the structure of growth we strive for, it is growth itself that must be re-imagined.  We must not expand for expansion’s sake….The most beautiful kind of growth is priceless, uncontainable, and unquantifiable.

Sauzahn Ebrahimian, The Revolution Will Not Have a Bottom LineTidal 3: Join the Resistance

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15M through the eye of film

El 15-M es sobre todo una llamada a la conciencia, el germen de una nueva cultura política que se abre paso entre las envejecidas pero aún dominantes estructuras de poder.                                                        

                                                                           José Candón Mena, Una Breve historia del 15-M, Libre Pensamiento 71

Revolution is not 'showing' life to people, but making them live. A revolutionary organization must always remember that its objective is not getting its adherents to listen to convincing talks by expert leaders, but getting them to speak for themselves, in order to achieve, or at least strive toward, an equal degree of participation.

                                                                            Guy Debord

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The Politics of the Body: Visions from 15M

Feministes indignades

For a revolution from and for a self-management of our bodies, of our lives, of our decisions and other spaces.  We affirm our bodies as territories that reject any form of colonization.

                                                                            Comisión Transfeminista Benimaclet (Valencia)

The body as a space of politics, a space of political contestation that has been and remains a central concern of feminist, gay, lesbian and transgender thought.  It points to a forgotten space of much “traditional left” politics, and with the more recent media protagonism of radical men in protests in and peripheral to 15M, it is perhaps urgent to remember the radical and ongoing intervention of feminist, gay, lesbian and trans activists in the protest/creativity of spain’s social movements.

Texts and videos follow …

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It is all about what is dreamed: Sueños Colectivos

An excellent documentary about Anarchism in spain during the Civil War … but much more than that: it is a testimony of the creativity of those who sought to make real in their everyday the beauty of the anarchist utopia …

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