For George Floyd

NOW! (1965)

Production: ICAIC | Director: Santiago Álvarez (Cuba)| Photography: Archives | Music: Song, Now! performed by Lena Horne | Editing: Norma Torrado, Idalberto Gálvez | Sound: Adalberto Jiménez | 6min

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Renzo Novatore: The anarchy of life

From Distinctively Dionysian

New Renzo Novatore and Bruno Filippi translations

Bonsoir. There are twelve new Renzo Novatore writings, never before in English, now included in Distinctively Dionysian’s remaining spring ’20 issues. Due to the volume of new translations of both Novatore and Bruno Filippi, we created two 24-page stand-alone issues et one 78 page booklet to be released alongside the Summer issues.

Here is one of the pages taken from the second issue of Spring 20, for your pleasure. May click or right-click this PDF link to view et expand.

Dionysian Spring 2/4 2020, Novatore, Insert

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black anarchism

Color is not a human or a personal reality; it is a political reality.

James Baldwin, Down at the Cross

The Anarchist movement in North America is overwhelmingly white, middle class, and for the most part, pacifist so the question arises: why am I a part of the Anarchist movement, since I am none of those things? Well, although the movement may not now be what I think it should be in North America, I visualize a mass movement that will have hundreds of thousands, perhaps millions of Black, Hispanic and other non-white workers in it. It will not be an Anarchist movement that Black workers and the other oppressed will just “join” — it will be an independent movement which has its own social outlook, cultural imperative, and political agenda. It will be Anarchist at its care, but it will also extend Anarchism to a degree no previous European social or cultural group ever has done. I am certain that many of these workers will believe, as I do, that Anarchism is the most democratic, effective, and radical way to obtain our freedom, but that we must be free to design our own movements, whether it is understood or “approved” by North American Anarchists or not. We must fight for our freedom, no one else can free us, but they can help us.

Lorenzo Kom’boa Ervin, Anarchism and the Black Revolution

One of the most important lessons I also learned from anarchism is that you need to look for the radical things that we already do and try to encourage them. This is why I think there is so much potential for anarchism in the Black community: so much of what we already do is anarchistic and doesn’t involve the state, the police, or the politicians. We look out for each other, we care for each other’s kids, we go to the store for each other, we find ways to protect our communities. Even churches still do things in a very communal way to some extent. I learned that there are ways to be radical without always passing out literature and telling people, “Here is the picture, if you read this you will automatically follow our organization and join the revolution.” For example, participation is a very important theme for anarchism and it is also very important in the Back community. Consider jazz: it is one of the best illustrations of an existing radical practice because it assumes a participatory connection between the individual and the collective and allows for the expression of who you are, within a collective setting, based on the enjoyment and pleasure of the music itself. Our communities can be the same way. We can bring together all kinds of diverse perspectives to make music, to make revolution.

Ashanti Omowali Alston, Black Anarchism

The expression “black anarchism” may ring a discordant note among some anarchists. The many adjectives that have distinguished different kinds of anarchism – mutualist, collectivist, communist, individualist, for example – have served above all to mark different ways in which the anarchist ideals of freedom and equality are imagined and fought for. And even when “anarchism” becomes the adjective of a designation – anarcho-syndicalism, anarcho-feminism, anarcho-primitivism -, it reflects an effort to inject anarchist ideals into a larger body of political thought and practice.

A “black anarchism” suggests something more disturbing, a form of political parochialism, an anarchism for “black people”, somehow contrary to the universalist aspiration of anarchist intentions. And if to this is added a concern for “black nationalism”, then the anarchist may indeed have reasons for scepticism regarding the possibility of a seemingly racially defined form of anarchism.

Is then “black anarchism” simply a well meant misunderstanding, or worse, a contradiction in terms? Or cannot one instead see in “black anarchism” the desire to identify a form of domination that has and continues to mark modern capitalism?

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COVID-1984: Power, control and the struggle for freedom

From antimidia (brazil) posted with koletiva.media

The struggle against the COVID-19 pandemic has been used by different governments to implement a variety of means of social control and to increase the powers of the police. Yes, the threat of the pandemic is real; it is the consequence of capitalist expansion and we must do everything that is possible to protect ourselves. But more than survive, we have to take care that the post-pandemic world is still a world where we desire to live.

(The video may be watched with english subtitles by clicking on settings).

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Mutual Aid in Cape Town

Mutual aid is a response to crisis born within the cracks of regimes of State-Capital. It is also that which allows the creation of ties and bonds, of social relations, outside commodity and spectacle mediation. It is that which can prefigure modes of life beyond capitalism.

Reading mutual aid close to the ground …

Cape Town Together: organizing in a city of islands

Writer’s Community Action Network (Roarmag 05/06/2020)

An emerging movement of self-organized, decentralized community action networks responds to the local realities of COVID-19 in Cape Town, South Africa.

Cape Town is a city of stark inequality, with a dark and thorny history of colonial- and apartheid-era oppression, bleeding into rampant post-apartheid neoliberalism. As South Africa’s poster child for global cosmopolitanism, tourism and natural beauty, the photogenic city has sharply honed its strategy for sweeping ugliness under the carpet and outwards to its peripheries. Unchanged apartheid-era spatial planning has reinforced the development of Cape Town as a city of islands, cutting some parts of the city off from others and intensifying social, cultural and economic divisions.

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United States: Facing counter-insurgency in times of riots

Counterinsurgency: dousing the flames of Minneapolis

Peter Gelderloos (Roarmag 04/06/2020)

As people rise up against police violence and structural racism, what counterinsurgency techniques is the state deploying to attack and undermine the movement?

The uprising that has spread across the United States since the police murder of George Floyd on May 25 in Minneapolis has, like any rebellious movement, met with police strategies for counterinsurgency. It is well documented how modern police forces systematically use counterinsurgency strategies against their own populations.

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From riot to revolution: Protest as self-defense and mutual aid

Reflecting on the protests following the murder of George Floyd and as an historical example of mutual aid in African-American political history, a moment from the history of the Black Panther Party.

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Racism, from Minneapolis to Portugal

(https://www.instagram.com/olhosesfomeados/)

On racism …

Negrophobes exist. It is not hatred of the Negro, however, that motivates them; they lack the courage for that, or they have lost it. Hate is not inborn; it has to be constantly cultivated, to be brought into being, in conflict with more or less recognized guilt complexes. Hate demands existence and he who hates has to show his hate in appropriate actions and behavior; in a sense, he has to become hate. That is why Americans have substituted discrimination for lynching. Each to his own side of the street.

Frantz Fanon, Black Skin, White Masks

You can’t have capitalism without racism.

Malcom X

If Black people had simply accepted a status of economic and political inferiority, the mob murders would probably have subsided. But because vast numbers of ex-slaves refused to discard their dreams of progress, more than ten thousand lynchings occurred during the three decades following the war.

Angela Y. Davis, Women, Race, & Class

James Baldwin at the Cambridge Union (1965)

Malcolm X at the Oxford Union (1964)

In memory of George Floyd and in solidarity with all of those who resist racist capitalism.

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Against police violence, revolution

From the CrimethInc. Collective (31/05/2020), a reflection on a question that has so often been raised in the past, and that reappears again in the wake of the George Floyd police murder in Minneapolis …

What Will It Take to Stop the Police from Killing?

We’ve reached a breaking point. The murders of George Floyd—and Breonna TaylorTony McDade, and the other Black people whose lives were ended by police just this month—are only the latest in a centuries-long string of tragedies. But in the context of the COVID-19 pandemic, when the state is openly treating Black communities as a surplus population to be culled by the virus, the arrogance and senselessness of the murder carried out by Officer Derek Chauvin crossed a line. Supported by hundreds of thousands across the US and beyond, the people of Minneapolis have made it clear that this intolerable situation must end, no matter what it takes.

Since the Ferguson uprising of 2014, considerable attention has focused on racist police killings in the United States. Reformers of many stripes have introduced new policies in hopes of reining in the violence. Yet according to the Police Shootings Database, the police killed more people in the US last year than in 2015. If police killings are continuing or even increasing despite widespread public attention and reform efforts, we need to revisit our strategy.

How can we bring an end to racist police murders once and for all?

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A.C.A.B.: A Manifesto

MANIFESTO AGAINST POLICE VIOLENCE / PUSSY RIOT x LASTESIS

This manifesto is co-written and co-performed by
feminists from Mexico, Chile and Russia. We unite our
forces to stop police violence. In solidarity we trust.
Pussy Riot x LASTESIS.

PART 1. LASTESIS

a feminist performance collective from Valparaíso, Chile; who created the activist performance piece “Un Violador en Tu Camino” (“A Rapist in Your Path”) that now is a feminist anthem worldwide.

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