Antonio Negri: A Communist Life

I was a communist throughout.
Justly though, the other communists
looked askance at me. I was a communist
despite their certainties, despite my doubts.
Justly they did not see themselves in me.
They would not admit my discipline.
My centralism seemed anarchy to them.
My self-criticisms contradicted theirs.
Special communists cannot be:
to think so is not to be so.
Justly they did not see themselves in me,
my comrades. Like them, I too
was enslaved. Even more so: I tended to forget it.
They did their work, I followed my inclination.
Exactly that: I was a communist throughout.
Despite their certainties, despite my doubts
I always wanted this world ended.
Myself ended too. And it was that exactly
which estranged us. My hopes had no point for them.
My centralism seemed anarchy to them.
As if I wanted more, more truth,
more for me to give them, more
for them to give me. Thus living, dying thus.
I was a communist throughout.
I always wanted this world ended.
I have survived enough to see
comrades who bruised me broken by intolerable truths.
Now tell me: you knew very well I was with you?
Was that why you hated me? My truth is truly needed,
breathed in through space and time, heard patiently.

Franco Fortini, Communism (1958)


Remembering/celebrating Toni Negri, with Alberto Toscano (Side Car/New Left Review, 21/12/2023) …


‘The free person thinks least of all of death, and his wisdom is a meditation not on death but on life.’ Toni Negri, who died in Paris at the age of 90 on 16 December, turned this dictum of Spinoza into an ethical and political lodestar. The conclusion of the third and final instalment of his intellectual autobiography, Storia di un comunista, features a moving reflection on aging as a rejoicing in life and a paring down of action. Negri offers the overcoming of death – a resolutely atheist and collective idea of eternity – as the substance of his thought, politics, and life. He writes: ‘And yet the possibility of overcoming the presence of death is not a dream of youth, but a practice of old age; always keeping in mind that organising life to overcome the presence of death is a duty of humanity, a duty as important as that of eliminating the exploitation and disease that are death’s cause.’

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Remembering Antonio Negri

We share below texts by Giorgio Agamben, Alex Foti and by Antonio Negri.


In memory of Toni Negri

Giorgio Agamben

Two nights before I received the news of Antonio, – of Toni Negri’s – death, I dreamed about him for a long time and his presence was so vivid that when I woke up I felt the need to write to him. My message to the old email that he had not used for years could not reach him. When I spoke of the dream, a friend told me: “he wanted to say goodbye to you before she left.” Even in the divergences of our thoughts, which became more and more clear over time, something stubbornly united us, something that had to do above all with his generous, restless and punctilious vitality, which I felt immediately when I met him for the first time in Paris in 1987.

With Toni’s death, I feel like something is missing, inside me, under my feet, perhaps especially behind me, as if a part of my past suddenly became present and challenged me when it was missing. And this lack not only concerns me, but our entire country and its history, increasingly false, increasingly forgotten, as demonstrated by the hateful obituaries, which only remember the bad teacher and not the evil and atrocious country in which he had to live and that he tried, perhaps mistakenly, to improve. Because Toni, starting from the Marxist tradition to which he belonged and which perhaps conditioned and betrayed him, certainly tried to measure himself with the destiny of Italy and the world in the extreme phase of capitalism that we are currently going through towards who knows what unfortunate destiny. And this is what those who continue to insult his memory do not dare and will never be able to do.

(Quodlibet, December 18, 2023)

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For Otar Iosseliani (1934-2023)

Tati is a gentleman that I have a great deal of respect for. I believe that he did his work observing a world that, at the time, was going mad. He is not however a model for me; it was another time and a different look on the world. René Clair and Marcel Carné did not anticipate the beginning of the disaster, the beginning of this typhoon of madness that invades us today; Tati, he sensed it a little, while remaining sweet, tender and fairly “familial”. He showed the exaggeration of petit-bourgeois bad taste in Mon oncle; in Trafic, he saw the arrival of a new time but still in the tradition of Chaplin’s Modern Times, that is, in insisting on the comic side of things, by observing human behaviour as a child’s game.

Chaplin’s and Tati’s method is the old method of the clown. It is a matter of a single character standing against the world, in the footsteps of Don Quixote and Voltaire’s Candide. The character, in its relation to the world, is like corn husk paper that a chemist plunges into an acid solution. It is through the character that the acidity of the world is revealed. My method borrows more from the paintings of Breugel. It is the sum of a puzzle, the intersection of different characters blinded by the impossibility of continuing to live in tranquillity, according to their desires and what they understand about life. The drama of the world is that of the intersection of desires: the increase of the desire to have and the disappearance of the desire to give.

From: Marcel Jean and Micheline Dussault, “Entretien avec Otar Iosseliani : L’homme tranquille”, 24 images, Number 66, April–May 1993.

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Ian Alan Paul: Anaesthetic Violence

Ill Will has published the second part of an earlier reflection on the current Israeli violence against Palestinians, by Ian Alan Paul, this time offering an analysis of the politics of death in Palestine. Both essays are excellent and as we earlier shared the first part, we now share the complementary piece.


In his essay “Freedom of Speech, Freedom of Noise,” the artist Yazan Khalili recalls gathering with friends in a city in the West Bank to paint some graffiti mocking the Palestinian Authority’s security collaboration with Israel.1 After police officers from the Palestinian Authority approached and instructed them that it was prohibited to paint there, Khalili found that:

The Israeli-built Wall outside the city, on the way to Jerusalem, became the only space where it was possible to draw political graffiti. The Israelis allowed Palestinians to draw whatever they wanted on the wall, as long as it was on the Palestinian side … Drawing anything on the Israeli side, however, was strictly prohibited.

This partitioning of land that also functions as a partitioning of the sensible is taken up by Khalili as a point of departure to examine the colonial policing of who and what can appear and where, of what is heard as speech or disregarded as noise, of what is permitted to make sense or is barred from doing so. Drawing upon the work of Jacques Rancière, Khalili’s essay helps us understand how this sensual policing of places and people organizes life across Palestine, allowing one person to smoothly blend into the scenery of Jerusalem’s old city while another sticks out and is subjected to interrogation and arrest, one group chanting on the streets of Haifa to loudly demonstrate while another is bludgeoned and dispersed, and one driver to freely pass through a checkpoint at the edge of Bethlehem while another is stopped and searched. All of these forms of policing are built upon what Rancière describes as an aesthetics that rests at the foundation of social life, a sensible distribution that establishes and enforces who belongs where and for what purpose.2

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Argentina: “So-Called Neoliberalism and Its False Critics”

From the CrimethInc. collective (15/12/2023) …


Argentine Anarchists on the Election of Javier Milei

On December 10, the self-described “anarcho”-capitalist Javier Milei took office as president of Argentina, having campaigned on a promise to eliminate the Central Bank of Argentina and overturn the political establishment. What happens when an “anarcho”-capitalist takes power?

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After the Social Explosion: An Interview with the Anarchist Federation of Santiago

FAS graffiti: “The electoral route failed. The only path: memory, struggle, and organization”

In the wake of the rejection by Chilean voters of the proposed “right-wing” constitution (17/12/2023) – the country’s second constitutional referendum in just over a year, with the previous referendum (04/09/2022) ending with the rejection of a “left-wing” constitution, thereby preserving the Pinochet constitution of 1980 -, we share an interview with Chilean anarchists conducted by members of the Black Rose Anarchist Federation (12/12/2023) on the eve of the referendum.


In 2019, significant segments of the dominated classes of Chile gave shape to what is now known as the “social explosion”, a popular uprising of national proportions. The social explosion produced a profound political crisis which forced the resignation of then president Sebastián Piñera and initiated a process which sought to overturn and rewrite the country’s dictatorship era constitution.

In this interview with Black Rose/Rosa Negra Anarchist Federation (BRRN), members of the Santiago Anarchist Federation (FAS) offer a number of criticisms and alternative proposals to the constitutional assembly process. Members of the FAS also speak to the role played by both the left and institutional forces, as well as factors that have contributed to the rise of far right and neo-fascist elements in Chilean society.

This interview was conducted and translated by the Black Rose / Rosa Negra – International Relations Committee (IRC).

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Antonio Negri: Marx Beyond Marx

To sum up Negri’s exposition of Marx’s line of argument in the Grundrisse: capitalism is a social system with two subjectivities, in which one subject (capital) controls the other subject (working class) through the imposition of work and surplus work. The logic of this control is the dialectic which constrains human development within the limits of capitalist valorization. Therefore, the central struggle of the working class as independent subject is to break capitalist control through the refusal of work. The logic of this refusal is the logic of antagonistic separation and its realization undermines and destroys capital’s dialectic. In the space gained by this destruction the revolutionary class builds its own independent projects – its own self-valorization. Revolution then is the simultaneous overthrow of capital and the constitution of a new society: Communism. The refusal of work becomes the planned abolition of work as the basis of the constitution of a new mode of producing a new multidimensional society.

Harry Cleaver, “Introduction: Part One” to Antonio Negri’s Marx Beyond Marx

Antonio Negri’s written corpus is extensive in time and scope and we cannot do justice to it in any short post, such as this. And whatever differences there are between his thought and our own views, Negri’s intellectual contribution cannot be dismissed.

In this spirit, we share below Harry Cleaver’s written introduction to the English language publication of Antonio Negri’s autonomist classic, Marx Beyond Marx.

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For Antonio Negri (1933-2023)

Toni Negri, Italian philosopher at the University ‘La Sapienza on September 16, 2010 in Rome, Italy. (Photo by Stefano Montesi/Corbis via Getty Images)

“I am not an anarchist from any standpoint, regardless of the situation we find ourselves in.” The words are Antonio Negri’s, from a 2010 interview (e-flux journal). And yet we learned from him, even in disagreement. And Negri’s work – which we have shared before – will continue to speak to us.

Antonio Negri died this last December 16th.

We share below a lecture that Negri gave at the conference on the Idea of communism in London, March 2009, followed by a short political biography by Michael Hardt and the documentary, Antonio Negri: a revolt that never ends.

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Revolution and Destruction: The Fascist Obstacle

From lundimatin #407, December 11, 2023 …


This text was written by the philosopher Jean Vioulac for a gathering organised by Lundimatin at the Consulate, in Paris, on December 2, 2023. The theme revived the most haunting dichotomy of our contemporary entrance into the fascist winter: “Fascism or Revolution” . The demand for thought posed by the situation presupposes an intervention with concepts. The Revolution is not only an ecopolitical emergency, it is a necessity immanent in the very logic of the reality principle. And this is how “to fuck everything becomes vital”.*

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The “Deaths” of Poet Writers: Nour El-Din Haggag and Refaat Alareer

Photo: Bernard Chevalier

From lundimatin, #407, December 11, 2023 …


The young Palestinian writer and poet Nour El-Din Haggag has just died on December 5, followed on December 7 by the poet Refaat Alareer, after the bombing of their house in Gaza. One of Nour El-Din’s last writings explained why, at the risk of his life, he refused to leave his land and remained in Gaza.

Good evening, World,

Last night all communications and the internet were cut. What I thought impossible has come to pass. The postman won’t be able to come in all this bombing and destruction, and his newspapers won’t carry except the same news every day: that Gaza is being annihilated. And perhaps news of my death will be in the next edition. The bombing gets stronger and we hold onto our hearts because what we fear is coming closer, we shall die in silence and the world will know nothing of us. We will not be able to scream or to record our last moments, our last words.

I live in a small neighbourhood, Shuja’iyya, on the east side of Gaza City. Every night the explosions don’t stop. They are varied and come from all directions. With every massive sound that shakes our homes and our hearts we hold each other. We know that an explosion will come that we won’t hear, because we will have exploded with it.

And so I write now. Maybe this will be my last message that will wander the free world, and fly with the doves of peace, and tell the world that we love life if we can get it, but that in Gaza all paths are closed, and we are just a post or a tweet away from death.

OK: I am Nour el-Din Adnan Haggag, a Palestinian writer. I am twenty-seven years old and I have many dreams.

I am not a number, and I refuse that news of my death should pass without you saying that I love life, happiness, liberty, children’s laughter, the sea, coffee, writing, Fairouz, and everything that brings joy .. before all this vanishes in one brief moment.

One of my dreams is that my books would travel the world, that my pen would have wings unhindered by unstamped passports and refused visas.

Another dream: that I should have a little family, that I should hug a son – who looks like me – while I tell him a bedtime story.

And my greatest dream remains that peace should fill my country, that children’s laughter should rise before the sun, that we should plant a rose in every spot where a bomb fell, and paint our freedom on every wall that was destroyed, that war should leave us alone; to finally live our lives, once.

Nour el-Din Haggag, Gaza, Palestine

28 November 2023

(Translated from the Arabic by Ahdaf Soueif)

These writer-poets in whom the Palestinian people recognised themselves at the height of their resistance through the poem, are today among the 17,000 victims of the war ordered against the Palestinians.

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