
Among the things that people do not want to hear, and that they do not want to see, when in reality they are displayed right before their eyes, are the following: the fact that all the technological improvements that have simplified their lives so much that almost nothing living remains of them, that they have fostered the emergence of something that is no longer a civilization, that barbarism arises, like a natural phenomenon, from this simplified, mechanized, soulless life, and that, of all the terrible results of this experience of dehumanization to which they have made such a major contribution, the most terrifying is their progeny, since the latter is what, in the final analysis, upholds all the rest. That is why, when the citizen-ecologist attempts to pose the most disturbing question by asking, “What kind of world shall we leave to our children?”, he avoids posing this other, really disturbing question: “To what kind of children shall we leave the world?”
…
The barbarians do not come from a distant and backward periphery of commodity abundance, but from its very heart. Those who have been able to some extent to keep their sensibilities intact, and have striven to reduce their relations with the technologies of alienated life to a minimum, can be persuaded of this by going among those who have been formed and deformed since infancy by this apparatus of impoverishment; they are as far removed from nature as they are from reason, and by virtue of this hallmark we recognize barbarism.
Jaime Semprun
Jaime Semprun is among a generation of political militants marked by the events of May 68 in france and beyond, contributing to a body of theoretical work that paralleled and overlapped with that of the Situationists, and other heterodox marxists and anarchists.
Semprun (1947-2010) was writer, essayist, translator, publisher and perhaps most importantly, the founder and editor of Encyclopedie des Nuisances.
With other contemporaries and friends, it is a body of work that is often overlooked in the english speaking world. In a series of posts, we will share texts by Jaime Semprun, Miguel Amorós, Amedeo Bertolo and Eduardo Colombo, texts which continue to speak to us today.
(We could rightfully include Tomás Ibáñez here, but if we do not, it is only because we have already posted some of his work in the past).
The portrayal of contemporary capitalist societies, in the essay that follows (posted on libcom.org), may be read as an extension of Guy Debord‘s The Society of the Spectacle. The reign of “commodity fetishism” however now appears far more tenacious and destructive. The spectacle of consumption, technological superstition and subservience, the atomisation of human beings, impotent “citizens” revolts, the intensification of the exploitation of those who still work and “nature”, all sustained by an erasure of history and the loss of the possibility of “truth”, render rebellion and revolution obscure and uncertain. We have become like lost children, dazzled by the spectacle that we take for and as ourselves, ignorant of the disappearance of pasts and futures.
Continue reading →
Jaime Semprun: The abyss repopulates itself
Among the things that people do not want to hear, and that they do not want to see, when in reality they are displayed right before their eyes, are the following: the fact that all the technological improvements that have simplified their lives so much that almost nothing living remains of them, that they have fostered the emergence of something that is no longer a civilization, that barbarism arises, like a natural phenomenon, from this simplified, mechanized, soulless life, and that, of all the terrible results of this experience of dehumanization to which they have made such a major contribution, the most terrifying is their progeny, since the latter is what, in the final analysis, upholds all the rest. That is why, when the citizen-ecologist attempts to pose the most disturbing question by asking, “What kind of world shall we leave to our children?”, he avoids posing this other, really disturbing question: “To what kind of children shall we leave the world?”
…
The barbarians do not come from a distant and backward periphery of commodity abundance, but from its very heart. Those who have been able to some extent to keep their sensibilities intact, and have striven to reduce their relations with the technologies of alienated life to a minimum, can be persuaded of this by going among those who have been formed and deformed since infancy by this apparatus of impoverishment; they are as far removed from nature as they are from reason, and by virtue of this hallmark we recognize barbarism.
Jaime Semprun
Jaime Semprun is among a generation of political militants marked by the events of May 68 in france and beyond, contributing to a body of theoretical work that paralleled and overlapped with that of the Situationists, and other heterodox marxists and anarchists.
Semprun (1947-2010) was writer, essayist, translator, publisher and perhaps most importantly, the founder and editor of Encyclopedie des Nuisances.
With other contemporaries and friends, it is a body of work that is often overlooked in the english speaking world. In a series of posts, we will share texts by Jaime Semprun, Miguel Amorós, Amedeo Bertolo and Eduardo Colombo, texts which continue to speak to us today.
(We could rightfully include Tomás Ibáñez here, but if we do not, it is only because we have already posted some of his work in the past).
The portrayal of contemporary capitalist societies, in the essay that follows (posted on libcom.org), may be read as an extension of Guy Debord‘s The Society of the Spectacle. The reign of “commodity fetishism” however now appears far more tenacious and destructive. The spectacle of consumption, technological superstition and subservience, the atomisation of human beings, impotent “citizens” revolts, the intensification of the exploitation of those who still work and “nature”, all sustained by an erasure of history and the loss of the possibility of “truth”, render rebellion and revolution obscure and uncertain. We have become like lost children, dazzled by the spectacle that we take for and as ourselves, ignorant of the disappearance of pasts and futures.
Continue reading →