Tomás Ibáñez: The irreducible, yet fecund, anarchist contradiction

BOAB Bologna Anarchist Bookfair September 5, 6, and 7, 2025

After many years of interruption of the major anarchist book fairs in Italy, such as the one that was periodically organized in Florence with its debates and book exhibitions, some comrades in Bologna, with the support of other cities, such as firstly Milan,  took the risk of organising a new initiative whose results were uncertain. This initiative, which took shape on September 5, 6, and 7, exceeded expectations and was a success in many ways: the number of book and magazine stands (more than 30), the number of people who attended, the friendly atmosphere in a large semi-self-managed park, the large attendance at the outdoor debates (more than 200 people listening and some participating)… This event has also generated enthusiasm to repeat the experience…

The following text reflects Tomás Ibañez’s contribution to the debate with Francesco Codello and Salvo Vacacaro on “Changing the world here and now. Libertarian influence in the contemporary world.”

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Giorgio Agamben: Where are we?

In hell. Any discussion that does not start from this awareness is simply unfounded. The circles in which we find ourselves are not arranged vertically, but scattered throughout the world. Wherever men and women associate, they produce hell. The circles and pits are all around us, and we recognise, as in Goya’s caprichos, the monsters and devils that rule them.

What can we do in this hell? Not so much or not only, as Italo said, to guard a parcel of good, that which in hell is not hell. For it too has been contaminated, in whole or in part – in any case, no te escaparas [you will not escape]. Rather, stop, be silent, observe, and, at the right moment, speak, break the curtain of lies upon which hell rests. Because hell itself is a lie, the lie of lies that prevents the passage to non-hell, to what exists happily, simply, anarchically. To what has never been that hell always covers over with its way of being, as if there were no other possibility outside the pits and circles in which you have always necessarily been enrolled, be you the point, the threshold, where what is ceases to be, where the possible springs forth, the only true reality. The idea is not to realise the possible, as the demons invite you to do, but to make the real possible, to find a way out of the inevitability of the facts that the dominant ideology seeks to impose in every sphere – and above all in politics. While in the infernal clamour around you everyone is trying to diabolically realise the possible, technically at any cost, for you, every state, every thing, every blade of grass, if you perceive them in their truth, becomes silently, lucidly, possible again.

Quodlibet, September 15, 2025

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Liberatory Mutual Aid

Without community, there is no liberation

Audre Lorde

From scott crow, we share an important reflection on mutual aid as a liberatory practise and thought, in response to the different and multiple disasters brought on upon all of us by capitalism.


Insurrectionary Utopias: Ideas towards a Liberatory Mutual Aid

scott crow

“…years ago, a few people scratched history, and, knowing this, they began calling to many others so that, by dint of scribbling, scratching and scrawling, they would end upending the veil of history, and so the light would finally be seen.

That, and nothing else, is the struggle we are making. And so if you ask us what we want, we will unashamedly answer: “To open a crack in history.”

— Subcomandante Marcos, E.Z.L.N.

Despair, grief, and fear color much our days, often challenging our hopes for the future. These emotions have seeped into daily conversations, media portrayals, and the very fabrics of our lives. Our fragile social bonds in civil society have been pushed to the brink due to ongoing disasters, crisis and seeming uncertainity we all face.

Despite the beautiful, historic gains made against Power, and the inspiring uprisings and rebellions since the turn of the millennium — undermining the very foundations of U.S. historical and systemic oppression — a loss for what-to-do characterizes much of our reflections.

Civil society is unraveling due to an unsustainable civilization, the multi-year coronavirus pandemic, an ongoing climate emergency, and the usurping of 20th century “democratic” institutions by right-wing forces with fascistic dreams. Amidst this, unaccountable corporate social media platforms fuel the unraveling,[1] compounding these ongoing, intertwined disasters and crises, revealing the shortcomings of our fragile house-of-cards-like society. What is needed are alternatives not rooted in fear or domination — but in our desires for something better for all of us..

I still find places where hope exists and projects are happening that can open the “crack in history.” Places where communities and neighbors haven’t given up and are not paralyzed by fear, that offer alternative paths forward that allow for shared visions of something better. We ALL need tempered hope, ideas, and visions to counter the collapse narratives of the media and fascists who want to use it for their own power or control. Rather than sticking our heads in the sand in denial, we can counter the fear and despair that leads to inaction and not give in.

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France’s “Let’s block everything” or the will to insurrection

… the fire is not smoldering beneath the usual surface of daily acquiescence.

Temps Critiques

With week on from September 10, the day that coincided with a call to “Block Everything” in France, we share a critical article below from the Temps Critiques magazine (09/09/2025), carried also in lundi matin (16/09/2025) and published in English translation by Ill Will magazine (10/09/2025).

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Giorgio Agamben – Difference and Repetition: On Guy Debord’s Films (1995)

Returning to a text that we have published before, we close our series on Guy Debord’s films with a reflection on the same by Giorgio Agamben.

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In girum imus nocteet consumimur igni (1978)

In the present film, for example, I am simply stating a few truths over a background of images that are all trivial or false. This film disdains the image-scraps of which it is composed. I do not wish to preserve any of the language of this outdated art, except perhaps the reverse shot of the only world it has observed and a tracking shot across the fleeting ideas of an era. I pride myself on having made a film out of whatever rubbish was at hand; and I find it amusing that people will complain about it who have allowed their entire lives to be dominated by every kind of rubbish.

Film by Guy Debord

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The Society of the Spectacle (1973)

In societies dominated by modern conditions of production, life is presented as an immense accumulation of spectacles. Everything that was directly lived has receded into a representation.

In a world that is really upside down, the true is a moment of the false.

When the real world is transformed into mere images, mere images become real beings — dynamic figments that provide the direct motivations for a hypnotic behavior.

Film by Guy Debord

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Critique of Separation (1961): “One of the greatest antifilms of all time!”

Until the environment is collectively dominated, there will be no real individuals — only specters haunting the objects anarchically presented to them by others. In chance situations we meet separated people moving randomly. Their divergent emotions neutralize each other and reinforce their solid environment of boredom. As long as we are unable to make our own history, to freely create situations, our striving toward unity will give rise to other separations. The quest for a unified activity leads to the formation of new specializations.

Film by Guy Debord

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On the Passage of a Few Persons Through a Rather Brief Unity of Time (1959)

The appearance of events that we have not created, of events that others have in fact created against us, now obliges us to be aware of the passage of time and its results, to assess the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity. There is no more should-be; being has been consumed to the point of ceasing to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?

Film by Guy Debord

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Howls for Sade (1952)

The arts of the future can be nothing less than disruptions of situations.

Film by Guy Debord

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