
Woman must not be defined in relation to man. This awareness is the foundation of both our struggle and our liberation.
Man is not the model to hold up for the process of woman’s self-discovery.
Woman is the other in relation to man. Man is the other in relation to woman. Equality is an ideological attempt to subject woman even further.
The identification of woman with man means annulling the ultimate means of liberation.
Liberation for woman does not mean accepting the life man leads, because it is unliveable; on the contrary, it means expressing her own sense of existence.
Woman as subject does not reject man as subject but she rejects him as an absolute role, In society she rejects him as an authoritarian role.
Manfesto di Rivolta Femminile, 1970
In 1970 Carla Lonzi, Carla Accardi and Elvira Banotti founded Rivolta Femminile, an Italian feminist collective. Their first action, in July 1970, consisted of plastering the walls of Rome with copies of the “Manifesto di Rivolta Femminile“. The politics of Rivolta Femminile were largely grounded in “autocoscienza” theory and practices. “Autocoscienza“, meaning a heightened sense of self-consciousness or self-awareness, was a collective exercise of feminist “consciousness-raising.” (Wikipedia)
Carla Lonzi’s writings would have an enormous impact on feminism, both in and beyond Italy. Below, we share here brilliant text, Let’s Spit on Hegel (1970). And by way of an introduction, for those not familiar with the essay, we share a part of a larger reflection by Alexander R. Galloway on the same.
If we were to summarise the essay’s central thesis, it would be that liberation from oppression cannot be measured, thought or decided in relation to the perspective and world of the “master” – of a grounding master-slave dialectic. To do otherwise is both to reproduce the master’s world and to ignore that there are many slaves who may not fall under or who may be ignored, marginalised, by any singular master-slave dialectic. For Lonzi, the Hegelian-Marxist dialectic is just one such matrix of exclusion, for it is itself conceived of in masculine terms. And thus any emancipatory politics based upon it is illusory. Freedom lies elsewhere, in the potentiality that erupts at the margins/outside the frame of the dialectic.
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Italy: Autonomia (20) – Porto Marghera: the last firebrands
We close our brief selection of texts dedicated to Italy’s operaismo and Autonomia returning to where in some sense it all began, amidst the workers of the country’s large industrial complexes and their struggles for dignity as workers, but struggles which they themselves over time realised went beyond the “factory”, and put into question a kind of society, a world, in which they and life could be made disposable. The remarkable film Porto Marghera: gli ultimi fuochi/Porto Marghera: the last firebrands (2004) by Manuela Pellarin tells the story of the experience of autonomous workers’ organisation in the industrial area around Venice, Italy in the late 60s and early 70s. The film was released with an excellent short book, which we share below, along with the film (with English subtitles).