R. Magritte, La trahison des images
Le monde est déjà filmé. Il s’agit maintenant de le transformer
Guy Debord
Contemporary social movements have contributed to and have been sustained by a proliferation of media production, often described as alternative, in reference to the “truths” they present in opposition to the falsifications of corporate controlled media. The current and intense efforts to document through film the “arab spring”, 15M in spain, Occupy in the united states, and similar movements elsewhere, are examples.
Radical politics amid hurricanes
Silvia Frederici, in the last number of Tidal, contends that “debt has become a key means of capital accumulation”. Having spread ever more broadly throughout the world, it has become the most “general category through which exploitation is organized”. The collective, always potentially conflict ridden space, of labour exploitation is ever more supplanted by the self-managed exploitation of the debtor. “In this scenario, as wages and jobs vanish and the lending/debt machine becomes the dominant work relation, exploitation is more individualized and guilt producing”. If credit-debt is increasingly the means of dominating populations in the “richer” countries (through debts for housing, education, health, and so on), the rapid expansion of micro-credit has brought about similar consequences since the 1980s in the “poor” countries. Yet it is in the latter that we find a lesson of resistance to debt.
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