
… to make use of the weapons created by fascism, which has been
allowed to use the fundamental aspirations of people for affective exultation
and fanaticism. But we affirm that the exaltation… must be
placed in the service… of a grandeur quite different from that of the
nationalists.
Georges Bataille, Counter-Attack: Union of the Struggle of Revolutionary Intellectuals
The tradition of the oppressed teaches us that the “emergency situation” in which we live is the rule. We must arrive at a concept of history which corresponds to this. Then it will become clear that the task before us is the introduction of a real state of emergency; and our position in the struggle against Fascism will thereby improve. Not the least reason that the latter has a chance is that its opponents, in the name of progress, greet it as a historical norm. – The astonishment that the things we are experiencing in the 20th century are “still” possible is by no means philosophical. It is not the beginning of knowledge, unless it would be the knowledge that the conception of history on which it rests is untenable.
Walter Benjamin, On the concept of history
Fascism was a desperate attempt to defend the bourgeois economy from the dual threat
of crisis and proletarian subversion, a state of siege in which capitalist society saved itself by giving itself an emergency dose of rationalization in the form of massive state intervention. But this rationalization is hampered by the extreme irrationality of its methods. Although fascism rallies to the defense of the main icons of a bourgeois ideology that has become conservative (family, private property, moral order, patriotism), while mobilizing the petty bourgeoisie and the unemployed workers who are panic-stricken by economic crisis or disillusioned by the socialist movement’s failure to bring about a revolution, it is not itself fundamentally ideological. It presents itself as what it is — a violent resurrection of myth calling for participation in a community defined by archaic pseudovalues: race, blood, leader. Fascism is a technologically equipped primitivism. Its factitious mythological rehashes are presented in the spectacular context of the most modern means of conditioning and illusion. It is thus a significant factor in the formation
of the modern spectacle, and its role in the destruction of the old working-class movement also makes it one of the founding forces of present-day society. But since it is also the most costly method of preserving the capitalist order, it has generally ended up being replaced by the major capitalist states, which represent stronger and more rational forms of that order.
Guy Debord, Society of the Spectacle
When I see that young people are in the process of losing their old common values and absorbing the new models imposed by capitalism, running the risk of dehumanising themselves and being prey to an abominable aphasia, to a brutal absence of critical capacity, to a factious passivity, I remember that they were the characteristics of the S.S. – and I see spread over our cities the horrible shadow of the swastika.
Pier-Paolo Pasolini, Scritti corsari
How do we rid our speech and our acts, our hearts and our pleasures, of
fascism? How do we ferret out the fascism that is ingrained in our
behavior?
Michel Foucault, “Preface” to Anti-Oedipus: Capitalism and Schizophrenia by Gilles Deleuze and Félix Guattari
The first of a series of reflections on fascism and anti-fascism, for our somber times …
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For Ursula K. Le Guin
A Few Words to a Young Writer:
Socrates said, “The misuse of language induces evil in the soul.” He wasn’t talking about grammar. To misuse language is to use it the way politicians and advertisers do, for profit, without taking responsibility for what the words mean. Language used as a means to get power or make money goes wrong: it lies. Language used as an end in itself, to sing a poem or tell a story, goes right, goes towards the truth.
A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.
Ursula K. Le Guin
To describe Ursula K. Le Guin as a writer, or fantasy and science fiction writer, risks doing her an injustice to the extent that these words mean so very little today. If however we see her as an artists who created worlds in which we could imagine our lives differently, as free, then Le Guin was an artist in the profoundest sense of the term. It is this that we celebrate and that we will continue to celebrate through her writing.
Ursula K. Le Guin died this last 22nd of January. In her memory, for her words, we share a testimonial, first published with the Crimethinc Collective, along …
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